You
say you first wrote your ideas as short stories…then stage
plays. What’s the difference between writing something as
a short story and something as a stage play?
Well,
this is one of the most important questions, I suppose. What makes
a play ‘a play’? There’s lots of answers to this,
and if I went through all of them I’d be here all day (and
you’d all get very fed up with me, I’m sure) so, in
nutshell, the main thing to keep in mind is this: a stage play is
told by people speaking to each other. In other words, everything
you want the audience to know about both your plot and your characters
has to be conveyed through dialogue. A stage play is about…people
doing and saying things! Not what’s going on inside their
head. I’ll give you an example. This is an opening of an idea
told in the form of a short story:
It
was Billy’s first day at his new school so, needless to say,
when he walked into the school playground he was a little nervous.
The school he used to go to was very small and he had known everyone
by their first name. His old school felt like a second home. But
this school….oh, it was huge! And there were so many children
in the playground. Hundreds of them. And they all looked much bigger
than Billy. And they were all making so much noise. Only one child
in the playground wasn’t big and running around and making
a noise. He was standing by the rubbish bins and he had red hair.
The red-haired boy looked over at Billy and smiled. Billy smiled
back and thought, Oh! Perhaps I could make friends with him.
Okay.
Now, that might be a good opening for a short story. But it is not
a good opening for a stage play. Why? Because it’s all about
thinking things. It’s all going on inside Billy. For example,
the actor playing Billy can’t walk on stage and act thinking
‘my previous school was much smaller than this.’ How
can an actor do that? Not even an actor as good as Marlon Brando
could do that. So what do you do? Well, you have to find a way of
getting Billy to say the things his thinking. And, preferably, say
these things to someone else on stage. So, if we were to write the
story of Billy walking into the playground as a stage play, it would
go something like this:
Billy
walks into the playground. He looks a little nervous.
A boy with red hair notices Billy and walks over to him.
Red-Haired Boy Hello.
Billy H-hello.
Red-Haired Boy I ain’t seen you before.
Billy This is my first day here.
Red-Haired Boy You look nervous.
Billy I am nervous. My last school wasn’t
a bit like this.
Red-Haired Boy What was it like, then?
Billy It was much smaller. And…and I knew
everyone’s name. It felt like a second home. But this school…
Red-Haired Boy It don’t feel like your second
home?
Billy No. Everyone looks so big. And they’re
making so much noise.
Red-Haired Boy I’m not big.
Billy Nor am I.
Red-Haired Boy And I’m not making a noise.
Billy Nor am I.
Red-Haired Boy So perhaps…we could be friends.
Billy I’d like that.
You
see? We’ve got all the information we need…but we’ve
done it by having people talk to each other. And, at it’s
most basic level, that’s what makes a play ‘a play’.
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